ART DECO SIDEBOARD
SWEDISH 1930s, BIRCHWOOD
Attributed to: Axel Einar Hjorth (1888-1959)
Width: 64” / 162.5 cm, Depth: 19 ½” / 50 cm, Height: 32” / 81 cm
HG 7663 £6,500
SALE 50% off = now £3,250
SWEDISH 1930s, BIRCHWOOD
Attributed to: Axel Einar Hjorth (1888-1959)
Width: 64” / 162.5 cm, Depth: 19 ½” / 50 cm, Height: 32” / 81 cm
HG 7663 £6,500
SALE 50% off = now £3,250
BIEDERMEIER STYLE LYRE TABLE
SWEDISH c. 1900, Birchwood
Width: 60 cm /23.5”, Depth: 39 cm / 15”, Height: 71 cm / 28”
HG 7692 £4,200
SALE 50% off = now £2,100
SWEDISH c. 1900, Birchwood
Width: 60 cm /23.5”, Depth: 39 cm / 15”, Height: 71 cm / 28”
HG 7692 £4,200
SALE 50% off = now £2,100
BIEDERMEIER STYLE BOOKCASE
SWEDISH c. 1910
Birchwood
Width: 48 ¾” / 124 cm, Depth: 15” / 38 cm, Height: 61” / 155 cm
HG 7646 £3,900
SALE 50% off = now £1,950
SWEDISH c. 1910
Birchwood
Width: 48 ¾” / 124 cm, Depth: 15” / 38 cm, Height: 61” / 155 cm
HG 7646 £3,900
SALE 50% off = now £1,950
PAIR OF LOUIS XVI LUSTRES
FRENCH c. 1800
Gilt bronze, cut crystals and marble
Width: 48 ¾” / 124 cm, Depth: 15” / 38 cm, Height: 61” / 155 cm
HG 7648 £2,900
SALE 50% off = now £1,450
FRENCH c. 1800
Gilt bronze, cut crystals and marble
Width: 48 ¾” / 124 cm, Depth: 15” / 38 cm, Height: 61” / 155 cm
HG 7648 £2,900
SALE 50% off = now £1,450
PAIR OF BIEDERMEIER CHAIRS
SWEDISH c. 1820-1830
Birchwood
MB 203 £2,300
SALE 50% off = now £1,150
SWEDISH c. 1820-1830
Birchwood
MB 203 £2,300
SALE 50% off = now £1,150
PAIR OF BIEDERMEIER ARMCHAIRS
SWEDISH c. 1820-1830
Birchwood
MB 204 £2,900
SALE 50% off = now £1,450
SWEDISH c. 1820-1830
Birchwood
MB 204 £2,900
SALE 50% off = now £1,450
EMPIRE WALLCLOCK
SWEDISH c. 1820-1825
Gilt carved wood
Signed: P. Ericsson
Petter Ericsson was apprenticed in 1808 to one of Sweden’s best clockmakers, Israel Dahlström.
He established himself as a clockmaker in 1820 in Gamla Stan (Old Town), Stockholm.
The clock typifies the taste of the Empire period for military emblems.
The dragons are the traditional defenders of the Swedish kingdom.
The eagle, which is humorously ridden by a cupid clutching a laurel wreath,
symbolises victory and the lightning thunderbolts symbolise power.
Height: 37 ½” / 95 cm, Width: 27 ½” / 70 cm
MB 204 £6,900
SALE 50% off = now £3,450
SWEDISH c. 1820-1825
Gilt carved wood
Signed: P. Ericsson
Petter Ericsson was apprenticed in 1808 to one of Sweden’s best clockmakers, Israel Dahlström.
He established himself as a clockmaker in 1820 in Gamla Stan (Old Town), Stockholm.
The clock typifies the taste of the Empire period for military emblems.
The dragons are the traditional defenders of the Swedish kingdom.
The eagle, which is humorously ridden by a cupid clutching a laurel wreath,
symbolises victory and the lightning thunderbolts symbolise power.
Height: 37 ½” / 95 cm, Width: 27 ½” / 70 cm
MB 204 £6,900
SALE 50% off = now £3,450
EMPIRE WALLCLOCK
SWEDISH c. 1800-1810
Gilt carved wood
Signed: Nils Berg
Nils Berg (1721-1810) was one of the most outstanding clockmakers in Sweden during the 18th century.
He became a Master Clockmaker by Royal Appoinment in Stockholm 1751.
His long career stretched from the Rococo period right through to the Late Gustavian period in the 1790’s
when Empire features begin to appear in both furniture begin to appear in both furniture and clock.
In the book “Urmakare och Klockor i Sverige och Finland” (Clockmakers and Clocks in Sweden and Finland)
it states that he is believed to have worked in England, as aspects of the mechanism shows strong English influence.
Nils Berg is represented in the Swedish Royal Collections, in the Nordiska Museum, Stockholm,
The Stockholm City Museum and in the Time Museum, Illinois, USA.
His clocks are found in many Swedish country houses.
35¾” x 23 ¾” / 91 cm x 60 cm
HG 7691 £6,900
SALE 50% off = now £3,450
SWEDISH c. 1800-1810
Gilt carved wood
Signed: Nils Berg
Nils Berg (1721-1810) was one of the most outstanding clockmakers in Sweden during the 18th century.
He became a Master Clockmaker by Royal Appoinment in Stockholm 1751.
His long career stretched from the Rococo period right through to the Late Gustavian period in the 1790’s
when Empire features begin to appear in both furniture begin to appear in both furniture and clock.
In the book “Urmakare och Klockor i Sverige och Finland” (Clockmakers and Clocks in Sweden and Finland)
it states that he is believed to have worked in England, as aspects of the mechanism shows strong English influence.
Nils Berg is represented in the Swedish Royal Collections, in the Nordiska Museum, Stockholm,
The Stockholm City Museum and in the Time Museum, Illinois, USA.
His clocks are found in many Swedish country houses.
35¾” x 23 ¾” / 91 cm x 60 cm
HG 7691 £6,900
SALE 50% off = now £3,450
Jørgen Hansen (1862-1937)
"Bedouins Riding Camels in the Holy Land"
Danish School
Oil on canvas signed and dated 1929
23 ½” x 19” / 60 cm x 48 cm (canvas size)
Jørgen Hansen (1862-1937) was born in the countryside outside Fåborg, Denmark.
He studied in 1882 at the Technical School in Copenhagen as well as and in 1883-85 at the Royal Academy.
In 1885 Hansen studied at Kunstnernes Frie Studieskoler in Copenhagen where his teacher was the painter Peder Severin Krøyer.
He became greatly influenced in his work by Krøyer’s French style of painting with use of bright light and strong colours.
Hansen conducted long study-trips abroad and the first was in 1887-88 to Berlin, Vienna, Budapest, Varna by the Black Sea,
Athens, Rhodes, Cyprus, Constantinople, Syria, Lebanon, Palestine and Egypt. He returned via Naples, Rome, Florence and Switzerland.
The second trip in 1889 to 1890 was to Madeira, Argentina (Buenos Aires) and Paraguay. He did many sketches and drawings during his trips
which he later used for his paintings. He finally settled in Esbjerg in 1891 where he taught drawing at the State School.
Hansen was also the principal of the Esbjerg Technical School for 25 years. Hansen painted the altar piece in Næsbjerg Church,
decorations in Esbjerg Townhall 1892, and many other buildings including Frederiksborg Royal Palace.
Exhibitions:
At the Danish Royal Academy, Christiansborg in 1885, 1888 and 1889, one-mans show in Esbjerg in 1929.
Museums and Public Collections:
Esbjerg Museum
Literature: Weilbachs Kunstnerleksikon,
Svend Rindholt: J.H., den lille maler, 1945
HG 7662 £1,450
SALE 50% off = now £725
KEN WALCH (born 1927)
NIGHT SKY
Frame size: 140 cm x 110 cm
Walch was born in Wimbledon in 1927. After school he moved to Australia in the early 1950’s and won a place at the
National Gallery Art School in Melbourne where he studied under Murray Griffin until 1953 when he returned to England.
He then enrolled at St Martins School of Art where his principal tutor was the colourist, Fredrick Gore.
Gore introduced him to English post impressionism and the use of colour to emphasise the emotional aspects of painting.
Walch took a diploma in Art Teaching and taught in various schools until his retirement.
Exhibitions:
Ken Walch has exhibited in London at The Royal Academy and the Federation of Painters and Sculptors.
His work has also been exhibited in Belgium, Germany, Hong Kong and Ireland, with paintings in private collections throughout the world.
MB 207 £2,300
SALE 50% off = now £1,150
HEBE
FRENCH c. 1900
Patinated bronze stauette with a marble base
Heigh: 38 cm /15”
HG 7639 £490
SALE 50% off = now £245
PAIR OF FRAMED ENGRAVINGS
“L’ILE DE PHILÆ”
“Déscription d’Égypte” the 26th volume description of the summary
of research and archaeology during the 1798 to 1799 campaign by
Napoleon Bonaparte under the direction of Baron Dominque Vivant Denon.
Published between 1809 and 1829.
Here are two pages of the Temple of Philæ with the panoramic print by
André Duterine (1753-1842), from his drawing executed on the expedition
framed with handmade Neo-Egyptian Biedermeier style wooden frames.
125 cm x 49 cm / 84” x 33” (no. 1)
139 cm x 73 cm / 54.5" x 29" (no. 2)
MB 204 £4,200 The Pair
SALE 50% off = now £2,100 (for the pair)
“L’ILE DE PHILÆ”
“Déscription d’Égypte” the 26th volume description of the summary
of research and archaeology during the 1798 to 1799 campaign by
Napoleon Bonaparte under the direction of Baron Dominque Vivant Denon.
Published between 1809 and 1829.
Here are two pages of the Temple of Philæ with the panoramic print by
André Duterine (1753-1842), from his drawing executed on the expedition
framed with handmade Neo-Egyptian Biedermeier style wooden frames.
125 cm x 49 cm / 84” x 33” (no. 1)
139 cm x 73 cm / 54.5" x 29" (no. 2)
MB 204 £4,200 The Pair
SALE 50% off = now £2,100 (for the pair)
Carrera Llano Florez (born 1889 in Marseille)
“El Castillo” (Hillside Castle)
Spanish School, early 20th century, oil on canvas
37 ½” x 32 ½” / 95 cm x 83 cm
Stock no. MB 209 £2,300
SALE 50% off = now £1,150
“El Castillo” (Hillside Castle)
Spanish School, early 20th century, oil on canvas
37 ½” x 32 ½” / 95 cm x 83 cm
Stock no. MB 209 £2,300
SALE 50% off = now £1,150
JAN BOHUMIL POSPISIL (1898-1968)
“DROTTNING PALACE”
Czech-Swedish School, mid-20th century, oil on canvas.
Studied in a Prague art school in 1931-33, and at the Academy of Prague in 1933-38.
Pospisil received the title of professor at the Academy.
He made study trips to Italy and Dalmatia before moving to Sweden in 1946.
Exhibitions: One-man shows in Prague (1939), in Ragusa, Moravská, Ostrava.
In Sweden in Höganäs, Karlstad and Åmål.
Represented in the National Museum in Prague.
44 ½” x 32” / 113 cm x 82 cm
Stock no. MB 208 £2,300
SALE 50% off = now £1,150
“DROTTNING PALACE”
Czech-Swedish School, mid-20th century, oil on canvas.
Studied in a Prague art school in 1931-33, and at the Academy of Prague in 1933-38.
Pospisil received the title of professor at the Academy.
He made study trips to Italy and Dalmatia before moving to Sweden in 1946.
Exhibitions: One-man shows in Prague (1939), in Ragusa, Moravská, Ostrava.
In Sweden in Höganäs, Karlstad and Åmål.
Represented in the National Museum in Prague.
44 ½” x 32” / 113 cm x 82 cm
Stock no. MB 208 £2,300
SALE 50% off = now £1,150